Wednesday, January 31, 2007
Smell You Later
Generally, I tend to stay away from stupid stinky folk hippies, hence my ignorance on this matter. So please indulge me this quick question: stupid stinky hippies don't have sex, do they? If not, why do nearly all the stupid stinky folk hippies within Folk Is Not A Four Letter Word summon up such sultry sexy rhythms (Ar Goll, It Takes So Long)? Is that why this song is called Warm Up My Lips? Is that why it begins with the word "spooge"? Isn't there a law against this, somewhere?
Tuesday, January 30, 2007
The Future Is In Plastic
The urinary geyser of excitement I have for Now I Hollar isn't because rap pranksters Plastic Little have sampled goddess/songstress PJ Harvey. Nor is it because this track features Spank Rock, one of the best new acts from last year. Rather, I'm excessively wallowing in pee-glee because they've taken the bold step of creating a "me so horny" for the new millenium.
Sunday, January 28, 2007
White Light/White Heat/White Head
While recently buying gum at a local convenience store, I noticed the clerk at the cash register had the most incredible white-head pimple on his chin. It made me swoon, this pimple. Honestly, I was almost weak in the knees, made delirious with desire and envy. It took every ounce of my mighty, masculine strength to resist reaching up, grabbing that chin in my hands and squeezing! squeezing! squeezing! until the money shot enveloped me in its greasy bodily payday fluids. The euphoria of zapping that zit would have been similar to the unbridled emotion I get when listening to Texas Overture by Pere Ubu--a tune so filled to bursting with creamy-hot goodness that even the moster guitar riffs could be eaten like toast.
Wednesday, January 24, 2007
How To Sundance
Do everything possible to assist global warming in melting the world's snow in a speedier fashion. Ridding the earth of the icy nuisance that prevents you from seeing more movies is a most commendable endeavor.
The cliche, in this case, turns out to be quite true: everyone living in Utah really is a white, middle-class, heterosexual Mormon family.
When running behind schedule for a screening after sleeping late, the ability to brush morning breath from your teeth while driving 65 m.p.h. down winding slippery snow-crusted highways is a skill well worth nurturing.
Should your cinematic hero David Gordon Green happen to sit on the same shuttle bus as you, remain calm. Do not wet your pants, no matter how enjoyable that might be. Quickly but firmly approach, conveying how much his films mean to you and what an honor it is to meet him. He will be humble, polite and will shake your hand. Retreat as fast as humanly possible back to your seat. When the woman sitting next to you asks, "What filmmaker is that you were speaking with?", try to refrain from weeping.
Abstain from disembarking off the shuttle at the same time as David Gordon Green: it will lead him to think you're a stalker. If this is unavoidable, bury yourself in the festival program, giving him a few seconds head start to be in front. Sadly, things take a turn for the worst when you find yourself walking right alongside him again a few blocks later; worse, he catches you looking at him. Pretend to be distracted--whoa, there is something really super duper interesting in that shop window across the street! Speed up, passing him in a dramatic fashion as a reassurance that this has all been one big coincidence. Chartering a zigzag path doesn't help: shockingly, you suddenly find yourself right next to him yet again a few minutes later! Holy fuck, how does this keep happening? Eventually, you will have to duck into the festival headquarters to finally and truly avoid walking next to him. Later, fantasize that he relates this run-in with a crazed fan to all of his movie genius buddies as they sip Meisterbrau in the lounge of their private-membership cineaste salon.
When driving between the Sundance Resort and Park City, be sure to seek out the woman selling blankets from her front porch in the quaint town of Heber City. These handcrafted gifts all bear the likeness of various favorite childhood characters: Mickey Mouse, Dora the Explorer, Barbie and...N.W.A???
That Peter Zaremba look-alike you saw on the street the other day turns out, in fact, to be god-like filmmaker Chris Smith. You don't understand this, of course, until later in the day when he makes an appearance for a screening of his latest effort, The Pool. Wait in line to speak with him after the film ends, sulking further when you only have enough time to ask what song played on the soundtrack over the credits. He promises to post the tune on the movie's website but this statement is only meant as an abrupt conversation closer. When leaving the screening of this excellent new film, refrain from slapping the women next to you who--knowing nothing of Smith's background as a documentary filmmaker--complains that it was "too slow" and that "nothing happened".
If you happen to blank out on the name and filmography of marginally interesting queer filmmaker Gregg Araki as he scurries past you, it's best to be accompanied by an aspiring filmmaker friend with few inhibitions. He is more than eager to shout out, "Hey! Hey, you! Did you make The Doom Generation? And what's your name?" The notorious filmmaker seems amused by this arrogant and ignorant outburst; the boyfriend standing next to him, less so.
If you are a frightfully hip young man from L.A, with artfully coifed blonde hair placed just so, a good way to project just how much more evolved you are than the teeming masses sitting amongst you in the theatre would be to continue wearing your expensive brand name sunglasses as you enter the auditorium, taking great care not to remove them until just before the lights go down. You should also take great care to avoid the blogger watching you from two rows away--if he catches you alone outside, he's liable to take those sunglasses and shove them so far up your ass, you'll have to call in a search team to find them.
Because you are movie star hunk Paul Rudd, your ears will burn due to the excited shrill conversation about you between three high-pitched sorority girls who spied you strolling down the street earlier in the evening. Although the encounter with you probably took all of 30 seconds, their recounting of this brush with fame will stretch for a little over an hour.
It's not unusual to find Protagonist, the new film by Jessica Yu, surprisingly accessible because of its direct emotional core. A seemingly simple exploration on the practices of character development handed down from ancient Greek dramas (all enacted by puppets), it's the interspersed personal stories of four real-life men reflecting on power, violence, hubris and redemption which has you bawling tears of empathy. Don't be embarrassed--everyone around you is crying, too.
When flying home, don't be afraid to speak with the diminutive gentleman behind you, taking off his shoes for the X-ray machine. It's comedy legend Bob Balaban and he's the nicest man in the world. He'll accept your compliments gracefully and engage you in a friendly conversation long after he had en excuse to end it. Both the talents and the warmth of Bob Balaban make the world a better place.
The cliche, in this case, turns out to be quite true: everyone living in Utah really is a white, middle-class, heterosexual Mormon family.
When running behind schedule for a screening after sleeping late, the ability to brush morning breath from your teeth while driving 65 m.p.h. down winding slippery snow-crusted highways is a skill well worth nurturing.
Should your cinematic hero David Gordon Green happen to sit on the same shuttle bus as you, remain calm. Do not wet your pants, no matter how enjoyable that might be. Quickly but firmly approach, conveying how much his films mean to you and what an honor it is to meet him. He will be humble, polite and will shake your hand. Retreat as fast as humanly possible back to your seat. When the woman sitting next to you asks, "What filmmaker is that you were speaking with?", try to refrain from weeping.
Abstain from disembarking off the shuttle at the same time as David Gordon Green: it will lead him to think you're a stalker. If this is unavoidable, bury yourself in the festival program, giving him a few seconds head start to be in front. Sadly, things take a turn for the worst when you find yourself walking right alongside him again a few blocks later; worse, he catches you looking at him. Pretend to be distracted--whoa, there is something really super duper interesting in that shop window across the street! Speed up, passing him in a dramatic fashion as a reassurance that this has all been one big coincidence. Chartering a zigzag path doesn't help: shockingly, you suddenly find yourself right next to him yet again a few minutes later! Holy fuck, how does this keep happening? Eventually, you will have to duck into the festival headquarters to finally and truly avoid walking next to him. Later, fantasize that he relates this run-in with a crazed fan to all of his movie genius buddies as they sip Meisterbrau in the lounge of their private-membership cineaste salon.
When driving between the Sundance Resort and Park City, be sure to seek out the woman selling blankets from her front porch in the quaint town of Heber City. These handcrafted gifts all bear the likeness of various favorite childhood characters: Mickey Mouse, Dora the Explorer, Barbie and...N.W.A???
That Peter Zaremba look-alike you saw on the street the other day turns out, in fact, to be god-like filmmaker Chris Smith. You don't understand this, of course, until later in the day when he makes an appearance for a screening of his latest effort, The Pool. Wait in line to speak with him after the film ends, sulking further when you only have enough time to ask what song played on the soundtrack over the credits. He promises to post the tune on the movie's website but this statement is only meant as an abrupt conversation closer. When leaving the screening of this excellent new film, refrain from slapping the women next to you who--knowing nothing of Smith's background as a documentary filmmaker--complains that it was "too slow" and that "nothing happened".
If you happen to blank out on the name and filmography of marginally interesting queer filmmaker Gregg Araki as he scurries past you, it's best to be accompanied by an aspiring filmmaker friend with few inhibitions. He is more than eager to shout out, "Hey! Hey, you! Did you make The Doom Generation? And what's your name?" The notorious filmmaker seems amused by this arrogant and ignorant outburst; the boyfriend standing next to him, less so.
If you are a frightfully hip young man from L.A, with artfully coifed blonde hair placed just so, a good way to project just how much more evolved you are than the teeming masses sitting amongst you in the theatre would be to continue wearing your expensive brand name sunglasses as you enter the auditorium, taking great care not to remove them until just before the lights go down. You should also take great care to avoid the blogger watching you from two rows away--if he catches you alone outside, he's liable to take those sunglasses and shove them so far up your ass, you'll have to call in a search team to find them.
Because you are movie star hunk Paul Rudd, your ears will burn due to the excited shrill conversation about you between three high-pitched sorority girls who spied you strolling down the street earlier in the evening. Although the encounter with you probably took all of 30 seconds, their recounting of this brush with fame will stretch for a little over an hour.
It's not unusual to find Protagonist, the new film by Jessica Yu, surprisingly accessible because of its direct emotional core. A seemingly simple exploration on the practices of character development handed down from ancient Greek dramas (all enacted by puppets), it's the interspersed personal stories of four real-life men reflecting on power, violence, hubris and redemption which has you bawling tears of empathy. Don't be embarrassed--everyone around you is crying, too.
When flying home, don't be afraid to speak with the diminutive gentleman behind you, taking off his shoes for the X-ray machine. It's comedy legend Bob Balaban and he's the nicest man in the world. He'll accept your compliments gracefully and engage you in a friendly conversation long after he had en excuse to end it. Both the talents and the warmth of Bob Balaban make the world a better place.
Friday, January 19, 2007
God Said "Wha...?"
God: Are you leaving us, my son?
Disco:Very: Only for a short while.
God: Where are you going?
DV: To the 2007 Sundance Film Festival in Park City, Utah.
God: Will you see any celebrities?
DV: Perhaps. Mostly, I will be avoiding celebrities.
God: Care to name which ones you'll be avoiding?
DV: The ones still wearing "Vote For Pedro" t-shirts two years after they went out of style.
God: Will you come back?
DV: No, I plan on setting up a permanent domicile under the seats of the Egyptian Theatre. Of course I'm coming back! Jeez, I mean, c'mon, the festival isn't year-round or anything! I'll be back on Wednesday night.
God: What films will you see?
DV: I know what I won't be seeing: anything remotely connected to John Sayles; anything starring Zach Braff; anything about indie rock kids looking for love in the big city; any movie using the following bands in its soundtrack: The Postal Service, Jet, The Doves, Phantom Planet, Death Cab For Cutie, Keane or Beulah.
God: That doesn't leave much else.
DV: No shit, Sherlock. It means I'll only be catching, like, the new one by David Gordon Green and a documentary or two about border crossings and that's about it.
God: Do you have a nice lodging situation set up?
DV:: Hella, yes. My crib will be the shit.
God: Can I stay with you?
DV: There isn't any room.
God: But you're staying at a 2-room suite in a swank resort and--
DV: You don't want to stay with me. I snore and I'm a major slob. Also, I don't want to share a bathroom with you and find your holy pubes on the soap dish.
God: I don't have pubes.
DV: Everyone has pubes.
God: Only those weighted to earthly desires.
DV: Nobody desires pubes. They just happen.
God: Silence! Your Lord and Savior does not have pubes!
DV: Alright, alright, don't get your flowing robes in a twist. Whatever, I just want to be alone, is all.
God: Fine. You will be alone for all eternity, writhing in agony amongst the flames of hell.
DV: A sphincter says what?
God: What?
DV: Perfect.
Disco:Very: Only for a short while.
God: Where are you going?
DV: To the 2007 Sundance Film Festival in Park City, Utah.
God: Will you see any celebrities?
DV: Perhaps. Mostly, I will be avoiding celebrities.
God: Care to name which ones you'll be avoiding?
DV: The ones still wearing "Vote For Pedro" t-shirts two years after they went out of style.
God: Will you come back?
DV: No, I plan on setting up a permanent domicile under the seats of the Egyptian Theatre. Of course I'm coming back! Jeez, I mean, c'mon, the festival isn't year-round or anything! I'll be back on Wednesday night.
God: What films will you see?
DV: I know what I won't be seeing: anything remotely connected to John Sayles; anything starring Zach Braff; anything about indie rock kids looking for love in the big city; any movie using the following bands in its soundtrack: The Postal Service, Jet, The Doves, Phantom Planet, Death Cab For Cutie, Keane or Beulah.
God: That doesn't leave much else.
DV: No shit, Sherlock. It means I'll only be catching, like, the new one by David Gordon Green and a documentary or two about border crossings and that's about it.
God: Do you have a nice lodging situation set up?
DV:: Hella, yes. My crib will be the shit.
God: Can I stay with you?
DV: There isn't any room.
God: But you're staying at a 2-room suite in a swank resort and--
DV: You don't want to stay with me. I snore and I'm a major slob. Also, I don't want to share a bathroom with you and find your holy pubes on the soap dish.
God: I don't have pubes.
DV: Everyone has pubes.
God: Only those weighted to earthly desires.
DV: Nobody desires pubes. They just happen.
God: Silence! Your Lord and Savior does not have pubes!
DV: Alright, alright, don't get your flowing robes in a twist. Whatever, I just want to be alone, is all.
God: Fine. You will be alone for all eternity, writhing in agony amongst the flames of hell.
DV: A sphincter says what?
God: What?
DV: Perfect.
Tuesday, January 16, 2007
Rainy Days and Mondays and New Zealand Movies With Excessive Rain As The Central Metaphor Always Get Me Down
There is nothing witty or clever about the topic of re-posts. Believe me, it's true. If there was something humorous to be said, don't you think I would have said it already? Someone wrote me asking if I could repost a particular song from the soundtrack of the depressing New Zealand flick Rain and I'm not only going to comply (Orange and Blue), I'm going to up the ante (Summer Of Love, Drive Home, Red Room.) The soundtrack (mostly by Neil Finn) is very difficult to find in the U.S. Your choices are to have someone copy the entire CD for you (which, I shouldn't have to remind you, IS COMPLETELY ILLEGAL, PEOPLE!!) or you pay through the nose for it at Gemm. You must choose your fate. I have spoken.
Sunday, January 14, 2007
FORGOTTEN FAVORITES RECENTLY HEARD ON MY iPOD
[DURING WHICH I PEED MY PANTS WITH EXCITEMENT]
Thanks to Jockohomo for being the Pusherman on this one.
Don't worry about collector prices: someone can copy it for you (wink wink)
Saturday, January 13, 2007
They Hunt Deers, Don't They?
Who are Deerhunter, and why did it take Underneathica so long to turn me on to them? How did kids so very young get a sound so steeped in the post-punk art-squall of This Heat, Swell Maps, Chrome and Wire? How could a group of unseemly 12-year-olds come up with such brilliant songs as Cryptograms, Tree Spies and Tech School? Here I am, old enough to be their great-great-great grandfather who can't grow a moustache and yet these boys with a collective age of 42 are writing better music than Jesus Christ. It warms my dark twisted heart to hear them kicking up an aural dust storm instead of taking their musical cues from the Garden State soundtrack, like most tykes of their generation. Let's hope they run for President someday.
Wednesday, January 10, 2007
A Day In The Life Of The Fool On The (MacWorld Conference & Expo) Hill
Future jailbird Steve Jobs has every citizen of the world at his denim-clad knees during this week's MacWorld Conference & Expo (well, at least those citizens of the world rich enough to afford a $500 phone), and when he's ready to coax a powerful tune from his latest technological innovation, he chooses...Lovely Rita, Meter Maid by The Beatles??? Wouldn't it have made more sense to choose Revolution? Hell, Tomorrow Never Knows would have carried more symbolic weight! By my estimates, over eleventy-billion-zillion songs have been written since recorded tape was invented and this is the one track you choose to play? At least you could have had fun with your musically-clueless image and picked something (anything!) more ear-grabbing off Flabby Road and Flabby Road II. Steve, if you want someone to provide better song recommendations for any future gadget unveilings, just give me a call. You know my name (look up the number.)
Monday, January 08, 2007
Cottage Industry
Scientists the world over agree: weepy feelings of nostalgia for the music of your youth makes one's brain turn to cottage cheese. So forgive me this curdled snack respite as I chuckle along to the way-stupid guffaw-fest music video of the Mondo Guano song, uh, Mondo Guano (unearthed for me by a devoted Disco:Very fan.) While we're already in this twisted neck of the forest, we might as well explore the unchartered lands of Fast Car and Pantano Del Fango (whose opening lines, "Going to the mudbog/Won't you come along?/I need to find the answer, I need to find the answer..." are probably brilliant, but who really knows for sure?) This was Bob Log before he became Bob Log. This was the sound of Young America gulping acid at midnight and taking 3 excrutiating hours to set up their instruments as a result. My hope is that attempts to resurrect those long-ago performances through pointless yearly reunion shows never come to fruition (I only like cottage cheese in small doses.)
Wednesday, January 03, 2007
My New Year's Resolutions
1. In 2007, I vow to finally "get" bands whose talents currently leave me scratching my head in utter dismay (i.e., The Raconteurs).
2. In 2007, I vow to finally learn to pronounce the word "raconteurs".
3. In 2007, I vow not to hate more bands but to intensify the anger over the bands I already hate (quality over quantity).
4. In 2007, I vow to find someone who can tell me if those recent Captain Beefheart reissues are worth buying if one already owns them as cheapo imports from 15 years ago (how many times do I have to re-purchase these things, anyway?)
5. In 2007, I vow to take TV On The Radio, grind them down into a fine microscopic dust, and have that dust analyzed by the world's top scientists as a means to figure out why everyone goes so fucking ga-ga over them, 'cuz dude, once I know the answer, I am so going to put that dust in my morning fruit shake and drink it.
6. In 2007, I vow to always surround the name Beck with the words Idiot Scientologist (as in, "The latest album by Beck, Idiot Scientologist, is a dull rehash of the lame white boy street funk schtick he's been shitting out for the last several years; or, It would be a shame if Idiot Scientologist Beck were to wake up one morning and realize his dumb-ass bad-sci-fi-novel religion has been a complete waste of time from the minute he was brainwashed into accepting it".)
7. Most of all, 2007 is the year I vow to download the billions and billions of albums this Napster-as-pig-face guy is offering at his website, despite the complicated subversive tactics which have been erected to avoid detection by the Filesharing Police. Just looking at the exhaustive list of everything he's got for the taking, I can tell 2007 is going to be a long year.
2. In 2007, I vow to finally learn to pronounce the word "raconteurs".
3. In 2007, I vow not to hate more bands but to intensify the anger over the bands I already hate (quality over quantity).
4. In 2007, I vow to find someone who can tell me if those recent Captain Beefheart reissues are worth buying if one already owns them as cheapo imports from 15 years ago (how many times do I have to re-purchase these things, anyway?)
5. In 2007, I vow to take TV On The Radio, grind them down into a fine microscopic dust, and have that dust analyzed by the world's top scientists as a means to figure out why everyone goes so fucking ga-ga over them, 'cuz dude, once I know the answer, I am so going to put that dust in my morning fruit shake and drink it.
6. In 2007, I vow to always surround the name Beck with the words Idiot Scientologist (as in, "The latest album by Beck, Idiot Scientologist, is a dull rehash of the lame white boy street funk schtick he's been shitting out for the last several years; or, It would be a shame if Idiot Scientologist Beck were to wake up one morning and realize his dumb-ass bad-sci-fi-novel religion has been a complete waste of time from the minute he was brainwashed into accepting it".)
7. Most of all, 2007 is the year I vow to download the billions and billions of albums this Napster-as-pig-face guy is offering at his website, despite the complicated subversive tactics which have been erected to avoid detection by the Filesharing Police. Just looking at the exhaustive list of everything he's got for the taking, I can tell 2007 is going to be a long year.
Tuesday, January 02, 2007
A Big Load of Down
Just like taxes and death, you simply cannot escape the mammoth bigness of the annual best-of year-end comp from your pal at Disco:Very. However, for the first time in history, you'll now have three choices: 1) if you're a fan of Joanna Newsom, you can ignore this offer completely, or, 2), if you prefer a 2-CD set in your postal box, you can toss me an e-mail (peecat[at]mac.com) with your name (fake is fine) and address, or, 3) you can download it directly from my hairless little hands right this very minute (Disc One is here, Disc Two is here; titles/names can be downloaded here.) Of course, you must consider carefully all of the ups/downs/pluses/minues of choosing a cold, heartless download over receiving a warm and fuzzy 2-CD set in the mail [click on image to embiggen]:
The fine print: If you choose to have a CD package mailed you you, please be assured that once you have received this free gift, your (real or fake) name and e-mail/home address will be thrown away and you will not be mailed anything by me ever again (unless you want me to). I will not send you spam (unless you want me to). Delivery time of a CD package can be anywhere between 5 days and 6 weeks, depending on my energy level. This offer is good until my patience runs out.
The fine print: If you choose to have a CD package mailed you you, please be assured that once you have received this free gift, your (real or fake) name and e-mail/home address will be thrown away and you will not be mailed anything by me ever again (unless you want me to). I will not send you spam (unless you want me to). Delivery time of a CD package can be anywhere between 5 days and 6 weeks, depending on my energy level. This offer is good until my patience runs out.
Monday, January 01, 2007
Y Kant Tori Kill Off Joanna?

Tuesday, December 26, 2006
Ask Not What You Can Do For James Brown, Ask What Can James Brown Do For You
In the case of James Brown's death, I'm on Stage Three: Bargaining. "Oh, benevolent all-knowing Being", my tearful negotiations would begin, "How about we offer you a different but infinitely less-talented past-it performer like John Cougar Mellencamp or Carlos Santana to kill instead?" The sadness is multiplied when you realize we now have nobody to pen triumphant funk credos extolling the strength and dignity of can-do self-reliance. You know the types of songs I mean: those sassy pumped-up tunes like Brown's own I Don't Want Nobody To Give Me Nothing (Open Up The Door I'll Get It Myself) or Brown-protege Marva Whitney's You Got To Have A Job. I've already accepted the challenge and written a number of New Style songs for today's (man's man's man's) world. Or as we'd say in Brown-speak: I wanna get up and do my thang:
Don't Be Sending Me My Yahoo E-Mail Password (It Will Come To Me Eventually)
I Don't Need You To Spot Me (On The YMCA's Recline Bench Press)
Ain't Nobody Going To Process My Groceries (Give The People Self-Check Registers At Trader Joe's)
Don't Be A Quitter (Say It Loud - Smoke Yourself Proud)
Get Up, Get Involved, Get Into That Banana Republic Silk/Cashmere V-Neck Sweater On Your Own (The Sales Clerk Is Just Talkin' Loud & Sayin' Nothing)
I Can't Stand Myself (When You Touch Yourself) (Papa's Got A Brand New Bag Of Viagra)
Don't Be Sending Me My Yahoo E-Mail Password (It Will Come To Me Eventually)
I Don't Need You To Spot Me (On The YMCA's Recline Bench Press)
Ain't Nobody Going To Process My Groceries (Give The People Self-Check Registers At Trader Joe's)
Don't Be A Quitter (Say It Loud - Smoke Yourself Proud)
Get Up, Get Involved, Get Into That Banana Republic Silk/Cashmere V-Neck Sweater On Your Own (The Sales Clerk Is Just Talkin' Loud & Sayin' Nothing)
I Can't Stand Myself (When You Touch Yourself) (Papa's Got A Brand New Bag Of Viagra)
Thursday, December 07, 2006
Stacks of Wacks
Big deal. So a guy buys a Velvet Underground acetate at a yard sale for 75 cents and discovers it could be worth $150,000. I've got boxes full of those same acetates taking up space all over my house. I'm using one as a mouse pad right this minute. Hell, I've been making them into vinyl ashtrays to catch the ash off my $50-a-day smoking habit. If all you drooling indie kids are that ga-ga over all of this, a cheaper alternative might be to head over here where my man Taste has those same hella-rare tracks available as a free download. If you're still anxious to spread some green around, why not consider buying this shit-awful indie-by-the-numbers comp off me that I stupidly picked up used a few weeks back? It's got all the darlings of the ATP crowd, which just happen to be all the bands I hate with a violent, seething red-eyed anger: Modest fucking Mouse, Elliot fucking Smith, Pedro the fucking Lion, Minus the fucking Bear, Of fucking Montreal, etc, etc. My going price just happens to be, oh, say, $150,000.
Sunday, November 26, 2006
The Reality Of It All
Due to my hectic career as a renowned creator of hit reality television shows, it sometimes takes me a long while to find time for a posting or two. Currently, I'm working on an offshoot of The Biggest Loser where, instead of overweight Americans resisting the temptation of food, we'll have wasted rockers struggling to avoid the downward spiral of excessive drug addiction. After hurtling gauntlets of managers with platters of pills and groupies offering bowls of coke, contestants will face the weigh-in, where the boniest post-rehab musician gaining the most pounds each week is declared the winner. I'm also developing a reality show for MTV wherein Neu!-influenced indie rockers--desperately attempting to prove their Krautrock credentials--will live together in a locked guarded house, keeping a 4/4 motortik rhythm going for the duration of an entire TV season. I'm placing my bets on Fujiya & Miyagi who, on the basis of Casettesingle and Conductor 71, could probably play this steady beat until Our Savior Jesus comes back to destroy the earth. Lucky for them, using a drum machine is not considered cheating.
Tuesday, November 14, 2006
The Agony Of Defeat Of The Pun Of The Agony Of Da Feet

*Apparently, the Man made him take it down.
**Like you, I have no idea what that means.
Tuesday, November 07, 2006
Black Is The Color Of My True Love's Hair Is The New Black
Free Jazz and I are like oil and water: specifically, I'm the cheap rusty sludge coming from the faucet, and Free Jazz is the fancy aged European olive oil in a thick hand-crafted dark brown bottle. But in the Salad Bowl of Art-Damaged Free-Form Squealing, Patty Waters and I blend into a harmonius mixture of flavors, thanks to her notorious squawk-fest Black Is The Color Of My True Love's Hair. Ms. Waters takes this oft-covered Old World folk tune and bites it raw, spitting it out onto your lap like so much chewed Play-Doh. You haven't heard singing this deranged since Yoko Ono metaphorically fell into bed with Ornette Coleman and birthed Aos, the illegitimate love child which split up The Beatles. If, like me, you haven't yet learned how to suck at the nipple of the Free Jazz teat, skip on over to Destination Out where you can discover Patty Waters and more at A Beginner's Guide To Free Jazz, proof positive that the freshness date on your current favorite music genre expired at least 40 years ago.
Thursday, November 02, 2006
Laughter Is The Best Way To Make Fun Of Those Less Intelligent Than You
Giggles came a-plenty earlier today when I was lucky enough to witness the spectacled, pasty white, Rebel-Without-A-Grill, Yo La Tengo-worshipping music store clerk at my local CD chain store as he attempted to help a thuggish, rough-looking gangsta Snoopafella figure out which artist performs "Slam Dat Ass" and "I Wanna Fuck You" (predictably, the Decemberists devotee came up blank.) I haven't laughed that hard since I downloaded (almost) the entire thrash metal oeuvre of Boston's bad boys Anal Cunt, freely available at Loadown. If I can't laugh at tracks like Pottery Is Gay, Recycling Is Gay, The Internet Is Gay, Windchimes Are Gay, Harvey Korman Is Gay, All Our Fans Are Gay, I Noticed That You're Gay, If You Don't Like The Village People You're Fucking Gay, The Word "Homophobic" Is Gay, I Just Saw The Gayest Guy On Earth, Song Titles Are Fucking Stupid and Having to Make Up Song Titles Sucks, I don't want to be part of your revolution.
Tuesday, October 31, 2006
When This Blog's-a-Thrashing, Don't Come a-Smashing
No recent postings does not mean I'm lazy. I've simply been busy negotiating with Google, who--still high from their recent You Tube purchase--are now offering to buy my shit-hot Disco:Very for a reported $800 billion (their reasoning: when your readers are apparently too intimidated to post comments, it's gotta be the greatest blog around.) My woeful lack of public appearances makes me similar to the sad hairless Chihuahua genius we call Billy Corgan, and like Mr. Rat In A Cage, I'm here to tell you that great things are on track for the future. As some of you know I am indeed blogging again; blogging that comes from a place so pure it will burn the lies off the very souls of those who try to discount it. I have arrived at a place in my life where truth and honesty prevail and I am creating from that place, a place I call Honesty Prevails Village, a gated community for tortured artists and the people who suffer along with them. Be sure to visit the gift shop.
Saturday, October 14, 2006
Shot From A Canon
If Paul Schrader can pick the The Big Lebowski for his Film Cannon (in the September/October issue of Film Comment)--choosing it, mind you, before Sunset Boulevard, Gun Crazy and Salvatore Giuliano--I feel I can safely place Strum & Drum by the Sex Clark Five way up high at the top of my Definitive All-Time Greatest Albums Of All Time List (Canon). The angelic vocals of Fool I Was, those tentative White Boy rhythms in Alai, the curious subject matter blending the quest for nervous love (If You See Her With Me (Let Me Know), Girls Of Somalia) with precise descriptions of geo-political conflicts (Sarajevo)...all of it would sit nicely on my Western Canon trophycase (next to The Residents' Third Reich And Roll, Daniel Johnston's Hi. How Are You? and The Fall's This Nation's Saving Grace).
Wednesday, October 11, 2006
Another Kind Of Fire by Edie Carey: I like to extinguish fires by pissing on them. Plus, I avoid drinking fluids so my pee is thick and dark yellow. Did I mention I've also got blood in my urine?
Most Imperfect Skies by Don't Die Cindy: I used to hate you for your awful band name alone, but now thanks to your dumb-fuck album titles, I have a whole new layer of froth forming in my mouth.
The Makings Of Me by Monica: Judging by your provacative album cover, you have all the makings of a topless turd. A turd which is also a giant 'ho. Henceforth, you will answer to the name 'Ho Turd.
Lovers Requiem by I Am Ghost: You're the creepy, scary goth ghost of my nighmares, and when you sing "Pretty People Never Lie, Vampires Really Never Die", I thank Lucifer you're a ghost instead of a vampire, because I want assurance that you will die. Very, very soon. Like, yesterday.
Still Searching by Senses Fail: Congratulations! You've scored a 10-point field goal in the Soccer Game of Suck.
Vultures by Smile Empty Soul: The sound of choking on one's own vomit, for an entire album. It gets worse: it's a concept album.
One More Drifter In The Snow by Aimee Mann: Let's hope nobody sends out a rescue team.
We Couldn't Think Of A Title by Psychostick: Although they're as entertaining as Open Mic Night at Catch A Rising Star, I couldn't think of an insult more hurtful than this: They're from Phoenix.
I Love You by Diana Ross: Hell hath no fury like a woman with a botched face tuck, especially when her last hit was during the Mesozoic Era.
I Don't Care Where I Go When I Die by Gaza: With song titles like "Pork Finder", "Slutmaker" and "Hospital Fat Bags", I think it's safe to say nobody else cares where you go when you die, either.
Smile...It Confuses People by Sandi Thom: Does Ms. Thom have to pay Hot Topic royalties when she cribs her album titles off those half-inch buttons with wacky phrases they sell? Youth wants to know!
Most Imperfect Skies by Don't Die Cindy: I used to hate you for your awful band name alone, but now thanks to your dumb-fuck album titles, I have a whole new layer of froth forming in my mouth.
The Makings Of Me by Monica: Judging by your provacative album cover, you have all the makings of a topless turd. A turd which is also a giant 'ho. Henceforth, you will answer to the name 'Ho Turd.
Lovers Requiem by I Am Ghost: You're the creepy, scary goth ghost of my nighmares, and when you sing "Pretty People Never Lie, Vampires Really Never Die", I thank Lucifer you're a ghost instead of a vampire, because I want assurance that you will die. Very, very soon. Like, yesterday.
Still Searching by Senses Fail: Congratulations! You've scored a 10-point field goal in the Soccer Game of Suck.
Vultures by Smile Empty Soul: The sound of choking on one's own vomit, for an entire album. It gets worse: it's a concept album.
One More Drifter In The Snow by Aimee Mann: Let's hope nobody sends out a rescue team.
We Couldn't Think Of A Title by Psychostick: Although they're as entertaining as Open Mic Night at Catch A Rising Star, I couldn't think of an insult more hurtful than this: They're from Phoenix.
I Love You by Diana Ross: Hell hath no fury like a woman with a botched face tuck, especially when her last hit was during the Mesozoic Era.
I Don't Care Where I Go When I Die by Gaza: With song titles like "Pork Finder", "Slutmaker" and "Hospital Fat Bags", I think it's safe to say nobody else cares where you go when you die, either.
Smile...It Confuses People by Sandi Thom: Does Ms. Thom have to pay Hot Topic royalties when she cribs her album titles off those half-inch buttons with wacky phrases they sell? Youth wants to know!
Tuesday, October 10, 2006
Suck Not, Lest Ye Be Sucked
The genius of Walt C. goes beyond what mortals would term "music". In other news, Modest Mouse has announced they will once again be postponing their forthcoming album We Were Dead Before the Ship Even Sank, vowing to keep working on it day and night until it no longer sucks. Accomplishing this Herculean task puts the new release date sometime in the year 5048.
Friday, October 06, 2006
Mopey's Choice
Which is worse: hearing the original version of "In A Big Country" performed by Big Country, or the yuppie FM-lite version on that icky-twee Kohl's commercial? Would you rather endure the faux-50's stylings in Grease or this sickening embroidery pattern? When I'm in the mood to hear moody opera pop, I pick Sigur Ros, except when they dawdle between albums, in which case I head towards the upstart quasi-Sigur Ros-esque-ness of Faunts, who creates, well, high expecations with High Expectations (on their debut CD High Expectations/Low Results). Sure, Gone With The Day sounds a bit too too too, but if there aren't any Icelandic post-rock albums appearing on the (tundra) horizon, what else am I supposed to do--sit around and pout? It's not like I can embroider one of my own.
Tuesday, October 03, 2006
An Open Letter To Perpetrators Of School Violence
Will all of you psychotic gun-toting maniacs please stop killing innocent children in America's classrooms, if only for another week or so? Because everytime you unleash your weapons, it takes away from the Foley scandal in the mainstream news, and if there is one thing I love, it's watching Republicans writhe in agony like the fuck pigs they are. Besides, they'll be plenty of other completely horrifying news topics in the coming weeks to take our minds off sexual predators in U.S. government. As for today's take on music: bla bla bla Beyond Istanbul bla bla bla Underground Grooves of Turkey, bleh bleh bleh Depresyondayım and Reggae Turca Tone etc etc etc. Forgive my lack of enthusiasm but it's hard to stay interested in music when you're living in a deranged country where war mongers are hell bent on pushing us all towards Armageddon.
Monday, October 02, 2006
Sweden Is Alright, If You Like Saxophones
My deep forbidden love of International Harvester is an open book. It's the secret diary I leave lying around, unlocked. So why don't I love Arbete Och Fritid the same way, seeing how they grew from the same mighty musical acorn? Easy: saxophones. I hate saxophones. Small parts of Petrokemi Det Kan Man Inte Bada I, for instance, make me urinate with glee, but then that damn saxophone comes in and my ears slam shut. Thank gawd they also play flutes, making it that much easier to rationalize my narrow music tastes. PS: If you don't hear from me for a long while, it's because I'm entering a rehabilitation clinic for treatment of alcoholism (apparently, it's a cure-all for sexual orientation--who knew?
Sunday, October 01, 2006
Butt Trumpet
Sweet holy Jesus on a rotoblade! Pink Tentacle is offering up the entire You Tube music video collection of the completely kick-ass Japanese psych-punk band Yura Yura Teikoku. It's during such times as watching the video for Rame No Pantalon that I'm happy to still have a 9-year-old's sense of humor.
Thursday, September 28, 2006
Xenu, Save Me From This Wall Of Fire!
When someone is the sole survivor of, say, a crowded fiery building and claims that God was looking out for them that fateful day, what they're really saying is, at that particular moment, The Almighty Huzzah wasn't so interested in saving anyone else's life and, therefore, abandoned the unfortunate others to their pyro-infested passing. In other words, God knows I'm really good at praying. I imagine this is what Beck thought when he channeled L. Ron Hubbard before embarking on his new album The Information, thus giving him the power to smite his enemies on the Billboard Top 100. But will he be able to keep that pace on the charts with such boring trifle as We Dance Alone and Cellphone's Dead?
Thank you, but I'll stick to the fuzzy funky shoulda-been-hits of Itavayla (Children Of Tomorrow and Hyperborea, in particular), which effortlessly reach their magnificence by keeping their groove to the grindstone. I'd like to say they're better songwriters but it might just be they're more, I don't know, blessed.
Thank you, but I'll stick to the fuzzy funky shoulda-been-hits of Itavayla (
Har De Har Har
There are times when multi-band performer Munly shoulders the tired-and-dull country/punk routine but embellishes it with a fresh, ragged pop approach (Chutzpa), and then there are those other times, when he's veering this close to the wretched excess of mid-80's roots rock bands, performing songs about mountain stills and hoedowns (Seven Warts On Pa's Belly). Throw in the occasional violin, and you've got the reason an entire generation grew up hating Camper Van Beethoven. On a further downside: songs about trains. On the upside: regrettably unique band photos portraying Munly as a skin-and-bones concentration camp victim.
Wednesday, September 27, 2006
Their Jeans Runneth Over

Tuesday, September 19, 2006
A Tricked Out Stingray

Sunday, September 17, 2006
When Hairy Met Smally


Sufjan: What's your favorite episode of Sex & The City?
David: I love the one where Carrie can't get Aidan to have sex with her and she's wondering why he's holding out because, you know, men are dogs.
Sufjan: Is that the one where Miranda is rocking the Prada ankle strap in that awesome green shade?
David: That's the one, girl.
Sufjan: I've got to get me a pair of those. My favorite episode is when Charlotte is doing the guy with the uncut penis--
David: --and Samantha's ex is now a drag queen?
Sufjan: --with the Gucci white suede lace ups?
David: That one kills me every time!
Sufjan: It's between that one and the one where Charlotte is turning 36 and can't believe she's still not married. What girl can't relate to that?
David: I like watching reruns of that one just to catch glimpses of that Fendi purse Charlotte is using--do you know the one?
Sufjan: The pink one? That purse is so you!
David: I always wanted that purse but could never afford it.
Sufjan: Just like Miranda wanted to have a baby and couldn't figure out how to juggle motherhood and a career.
David: She sure figured out how to juggle all that with her Mission wrap skirt!
Sufjan: Those girls are so lucky to be able to live in New York City and afford all those great clothes and shoes...
David: (sigh) Some girls have all the luck...
Sufjan: (sigh) Yeah...
David: Yeah...(sigh)
Sufjan: (sigh)
David: So, have you heard any songs by Victoria?
Sufjan: No, not yet. Do you think any mp3 blogs
David:
Wednesday, September 13, 2006
Don't You Point Those Things At Me Unless You Mean Business, Mister!


Saturday, September 09, 2006
Mein Leben ist Scheißewelt

I Tried To Pawn My Family Jewels But I Was Politely Told They Hold No Value


Tuesday, September 05, 2006
I promise: only one more day of non-mp3-related postings. It's time for me to get all NPR on your ass as I offer my opinionated takes on the more noteworthy films I just saw at the 33rd Annual Telluride Film Festival:
Day Night Day Night (2006) An intensely focused young woman of indeterminate geography prepares--with highly ritualized precision--for a mysterious task, the purpose of which only becomes clear in the story's final act. Director Julia Loktev's skills as a video installation artist and documentary filmmaker serve to heighten the mystery and tension of her polarizing first feature film. Winner of the Prix Regards Jeune (Directors' Fortnight) at the 2006 Cannes Film Festival.
Babel (2006) From the team who brought us Amores Perros (screenwriter Guillermo Arriaga and director Alejandro Gonzales Inarritu), this wide-reaching story revolves around a random, almost accidental, act of bloodshed, connecting three disparate lives in Tokyo, Morroco and Mexico. A sprawling meditation on prejudice, communication and loneliness.
Severance (2006) All the conventions of slasher films are dutifully enacted and toyed with, as a UK office of employees embark on a weekend retreat of “team-building" excercises, getting picked off one by one by an unseen predator in an onslaught of pitch black humor. Director Christopher Smith's comedic gore-fest will have you hiding your eyes while howling with laughter.
Little Children (2006) Two emotionally and sexually frustrated spouses embark on a secret affair, with harrowing results. The long-awaited follow-up to Todd Field's acclaimed debut In The Bedroom.
Ten Canoes (2005) Longtime Australian filmmaker Rolf de Heer weaves Aboriginie folk tales and magical realism in his 11th feature film (winner of a special jury prize at the 2006 Cannes Film Festival), the first shot entirely (save for the narration) in an Aboriginal language.
Playtime (1967) This densley-packed comedy from Jacques Tati reveals fresh insights with every screening, but especially the two times I've been lucky enough to catch a rare 70mm print. While much is made of the film's pointed commentary on the encroachment of soulless modernism, I have always found the final thirty minutes or so (about the time the Royal Garden restaurant descends into gleeful anarchy, showing how humanity can overcome stilted physical barriers) to be some of the most uplifting storytelling in cinematic history.
Civic Life (2004) Filmmakers Christine Molloy and Joe Lawlor allow their camera to gently swoop in, around and above the tableaus they arrange within various middle-class neighborhoods in the UK, reacting to and commenting on the suburban space surrounding the non-actors placed amongst the well-rehearsed chaos.
Remorques (1941) A rugged tugboat captain is forced to face the consequences after neglecting his long-suffering wife while finding himself falling for another woman. Stars the always-wonderful Jean Gabin, among many others.
The Lives Of Others (2005) Quite possibly the only film every audience enjoyed unanimously, screenwriter/director Florian Henckel von Donnersmarck's feature debut explores the effects of East Germany's sinister Stasi brigade as they conduct secret surveillance on citizens while struggling against a smothering totalitarianism.
Time didn't permit me to see The Page Turner (2006), Passio (2006), Dodsworth (1936) and The Emperor's Naked Army Marches On (1987). Instead, I wasted my time watching Infamous (2006), which tells roughly the same story as last year's excellent Capote, but relies more on making the diminutive author the butt of one obvious joke as he minces and sashays amongst the Kansas townspeople for the first third of the story. I felt as if I'd walked into an episode of the unbearable Queer Eye For The Straight Guy. While the 2005 film emphasized the somber, empty landscapes of the plains--mirroring the somber empty landscape of a killer (or a heartless conniving writer)--this forthcoming feature concerns itself more with getting laughs from Capote's kitschy bitch-queen theatrics. The most disappointing film I've ever seen at Telluride by far.
Day Night Day Night (2006) An intensely focused young woman of indeterminate geography prepares--with highly ritualized precision--for a mysterious task, the purpose of which only becomes clear in the story's final act. Director Julia Loktev's skills as a video installation artist and documentary filmmaker serve to heighten the mystery and tension of her polarizing first feature film. Winner of the Prix Regards Jeune (Directors' Fortnight) at the 2006 Cannes Film Festival.
Babel (2006) From the team who brought us Amores Perros (screenwriter Guillermo Arriaga and director Alejandro Gonzales Inarritu), this wide-reaching story revolves around a random, almost accidental, act of bloodshed, connecting three disparate lives in Tokyo, Morroco and Mexico. A sprawling meditation on prejudice, communication and loneliness.
Severance (2006) All the conventions of slasher films are dutifully enacted and toyed with, as a UK office of employees embark on a weekend retreat of “team-building" excercises, getting picked off one by one by an unseen predator in an onslaught of pitch black humor. Director Christopher Smith's comedic gore-fest will have you hiding your eyes while howling with laughter.
Little Children (2006) Two emotionally and sexually frustrated spouses embark on a secret affair, with harrowing results. The long-awaited follow-up to Todd Field's acclaimed debut In The Bedroom.
Ten Canoes (2005) Longtime Australian filmmaker Rolf de Heer weaves Aboriginie folk tales and magical realism in his 11th feature film (winner of a special jury prize at the 2006 Cannes Film Festival), the first shot entirely (save for the narration) in an Aboriginal language.
Playtime (1967) This densley-packed comedy from Jacques Tati reveals fresh insights with every screening, but especially the two times I've been lucky enough to catch a rare 70mm print. While much is made of the film's pointed commentary on the encroachment of soulless modernism, I have always found the final thirty minutes or so (about the time the Royal Garden restaurant descends into gleeful anarchy, showing how humanity can overcome stilted physical barriers) to be some of the most uplifting storytelling in cinematic history.
Civic Life (2004) Filmmakers Christine Molloy and Joe Lawlor allow their camera to gently swoop in, around and above the tableaus they arrange within various middle-class neighborhoods in the UK, reacting to and commenting on the suburban space surrounding the non-actors placed amongst the well-rehearsed chaos.
Remorques (1941) A rugged tugboat captain is forced to face the consequences after neglecting his long-suffering wife while finding himself falling for another woman. Stars the always-wonderful Jean Gabin, among many others.
The Lives Of Others (2005) Quite possibly the only film every audience enjoyed unanimously, screenwriter/director Florian Henckel von Donnersmarck's feature debut explores the effects of East Germany's sinister Stasi brigade as they conduct secret surveillance on citizens while struggling against a smothering totalitarianism.
Time didn't permit me to see The Page Turner (2006), Passio (2006), Dodsworth (1936) and The Emperor's Naked Army Marches On (1987). Instead, I wasted my time watching Infamous (2006), which tells roughly the same story as last year's excellent Capote, but relies more on making the diminutive author the butt of one obvious joke as he minces and sashays amongst the Kansas townspeople for the first third of the story. I felt as if I'd walked into an episode of the unbearable Queer Eye For The Straight Guy. While the 2005 film emphasized the somber, empty landscapes of the plains--mirroring the somber empty landscape of a killer (or a heartless conniving writer)--this forthcoming feature concerns itself more with getting laughs from Capote's kitschy bitch-queen theatrics. The most disappointing film I've ever seen at Telluride by far.
Wednesday, August 30, 2006
The Ronstadt Center

Language: I secretly wish I was Hanzi Smatter, dedicated to documenting the misuse of Chinese characters in Western Culture
Websites: There is only one thing worse than having an Open Web Letter addressed to you, and that is not having an Open Web Letter addressed to you.
Inventions: Well, sir, there's nothing on earth like a genuine, bona fide, electrified, six-car monorail!
Toys: Sure, these "vinyl figures based on Club Gods" are cute and all, but why not create an action-figure blogger while you're at it?
Entertainment: The only thing worse than seeing your picture on Hot Hollywood Assistants is being the Hot Hollywood Assistant to Courtney Love.
Crafts: These deranged stitcheries of Patricia Waller are not the kind of stuffed dolls you can bring home to meet your parents.
Art: Finally, an invention for the lazy anarchist spray painter in all of us.
Fashion: For anyone seeking future stardom on a reality series, Pre-Pixelated T-Shirts.
Fun & Games: Please. I already hate karaoke enough, thank you.
Animation: The Egg Lady is rolling over in her grave.
Antiques: He collects everything, so you don't have to.
DVDs: The what-took-them-so-fucking-long release of The Day I Became A Woman, and the hurry-up-before-I-pee-my-pants reissue of Playtime, are making the world a better place.
Food: I used to think there wasn't anything I couldn't enjoy eating. I was wrong.
Websites: There is only one thing worse than having an Open Web Letter addressed to you, and that is not having an Open Web Letter addressed to you.
Inventions: Well, sir, there's nothing on earth like a genuine, bona fide, electrified, six-car monorail!
Toys: Sure, these "vinyl figures based on Club Gods" are cute and all, but why not create an action-figure blogger while you're at it?
Entertainment: The only thing worse than seeing your picture on Hot Hollywood Assistants is being the Hot Hollywood Assistant to Courtney Love.
Crafts: These deranged stitcheries of Patricia Waller are not the kind of stuffed dolls you can bring home to meet your parents.
Art: Finally, an invention for the lazy anarchist spray painter in all of us.
Fashion: For anyone seeking future stardom on a reality series, Pre-Pixelated T-Shirts.
Fun & Games: Please. I already hate karaoke enough, thank you.
Animation: The Egg Lady is rolling over in her grave.
Antiques: He collects everything, so you don't have to.
DVDs: The what-took-them-so-fucking-long release of The Day I Became A Woman, and the hurry-up-before-I-pee-my-pants reissue of Playtime, are making the world a better place.
Food: I used to think there wasn't anything I couldn't enjoy eating. I was wrong.
Monday, August 28, 2006
I Find You Intoxicating


Sunday, August 27, 2006
A Pick Up (And A Pickup)

The Jade Tree of The Jaded

Eyelash Wishes
As Tall As Lions
Climbing The Branches, Touching The Sky
Birth, Life, Death
Nothing More Than This
Under The Influence Of Giants
Rainfall/Rainbow
Her Vagina, Smiling
While My Guitar Gently Weeps
These Arms Are Snakes
The Ground Below, The Sun Above
Tears As Wide As Rivers
I Ache, You Ache, We All Ache For Romantic Disillusionment-Ache
The Pillow, Tear-Stained
From Ashes Rise
Crushed And Put Away
Clouds of Ennui
My Shriveled Manhood In Your Hands
Blame The Stars
Four Walls Falling
That Darkly Comic Scene in Harold And Maude (You Know The One)
Cast Down, Again and Again
Really Funereal
allinlowercasewithoutspaces
Young Widows
Blue Balls Of Romance
(Answer: It was a trick question. Real or not, they're all saddled with terrible names.)
Wednesday, August 23, 2006
Rock Softly And Carry A Big Schtick

Tuesday, August 15, 2006
The Right Stuffs

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