Showing posts with label hate. Show all posts
Showing posts with label hate. Show all posts

Friday, August 03, 2012

This is an announcement to proclaim that Disco:Very (gulp!) has finally joined Facebook.  Dear god, help us all.  If you care to accompany us on our journey, please be aware that all Disco:Very posts will reveal little, if any, personal information, and we will not be commenting on your personal information at anytime, ever.  DiscoColonVery.net is a one-way dialogue, and we'd advise you to flow in the direction of the traffic.

Wednesday, June 20, 2012

Dancing About World Peace is Like Singing About Architecture

Just when we thought our national nightmare was over, he returns. Before you accuse me of being a Negative Nigel, let's break down in real time why this man and his videos are so very reprehensible:

1. Please don't think that an upper-middle-class American encouraging some Iraqis to dance on cue is going to bring about love and harmony throughout the globe. There has never been world peace, there never will be world peace, and sloppy foot work to a fifth-rate Enya impersonator isn't going to change that.

2. Let's be realistic, here: this dude Matt didn't exactly get warring factions to come together in the interest of pacifist living. He didn't convince a gun-toting Israeli to spin into a waltz with an oppressed Palestinian. No, he simply set up his fucking camera, posted (I assume) notices around the village that he wanted extras to dance with him on a particular date and, presto! His job was done. Any idiot can get other idiots to mug for a camera.  This is why so-called reality television is so abundant.

3. His choice of music makes me want to pull out my own eyeballs, slice my head off slowly with a butter knife and then drive a 10-ft razor blade through each kneecap.  Many commentators on YouTube would toss about the word "inspirational".  I would, instead, describe this recording as "crazy-making".

4. Supporters of this man's work argue that this video is a reminder that, basically, everyone the world over is all the same and we should respect the beliefs and cultures of everyone else.  You need a fucking sappy video to tell you that??  That's just fucking Human Fucking Rights 101, baby.

5. The tot on his shoulders at the very end--who I assume to be his own offspring--is going to need decades of therapy when he grows up to find himself to be a part of this debacle.

On the plus side, it is admittedly pretty cool to get a seal to flap its appendages with you, I'll give him that.  Perhaps, in the end, Matt's legacy will be to bridge the opposition we face with our feathered and furry friends throughout the planet.

Wednesday, June 13, 2012

Cut Your Hair (and Your Losses)

If you needed further convincing on just how reprehensible Iron & Wine frontman Samuel Beam really is, take a moment to let your eardrums get raped by this. Iron & Wine's hemp seed granola persona has been inching ever closer to the early-70's era of shaggy hair and even shaggier music tastes, but now he's crossed a very long-haired, lice-infested line. Little Feat is one of those bands which we should be thankful has bit the dust--our lives are more enriched now that they're no longer on the charts and only brought up in conversation by Over Sixties who still think Lowell George was some sort of music icon. But with the legion of Iron & Wine fans growing each year, I worry that we'll soon be seeing a Little Feat resurgence thanks to this faux-folkie who resembles Jesus Christ but with none of the sex appeal. Are you going to tell me that all these years Beam has been secretly harboring a love of this funky-bluesy-funk/blues? Where does this slippery slope end? Will he next release a one-off single covering Firefall? Is he going to spearhead a tribute album to Barefoot Jerry? Is the next step a collaborative folk-cycle album with Gilbert O'Sullivan? For pete's sake, Sam, let the lunacy end.

Friday, June 08, 2012

Grand Theft Audio

Thanks to the new 25th Anniversary reissue of the 1986 Grammy-winning hit album Graceland, when you listen to this early version of All Around The World Or The Myth Of Fingerprints, you can almost hear the exact moment when Paul Simon steals this Los Lobos song right out from under them. Bonus joke: "Ever since the watermelon..."--what the fuck does that even fucking mean??

Wednesday, April 11, 2012

Run Away From the Blight

 
There are those who would tell you Alabama Shakes and Rubblebucket are two new bands into which you should be plugging your earbuds, but I am here to warn you, children, that these are freshly-shaved lies. The morally reprehensible Alabama Shakes sport the most generic, lame-ass bar-band sound you could ever muster, tailor-made/readymade for Bonnaroo burnouts;  Rubblebucket are the polar opposite, pushing so far at appearing quirky, you can only respond by patting them on the head and pointing them towards the cut-out bin which they'll soon be inhabiting. The hype machine surrounding these yawn-inducing embarrassments must be avoided above all else. These are dangerous times to be a music lover, and we need to protect each other from all this lethal danger to our tastes.

Thursday, February 16, 2012

My head is hung in submissive shame as I announce that Disco:Very has now joined the reprehensible Twitter.  Same pithy postings, but now with 80% less content.  Postings will continue apace here at the mothership, but now you can get snarky Tweets for those times when I'm too lazy to link actual music.  Look, if you want this relationship to work, you're going to have to support me on this.  Divorce is not an option.

Monday, February 13, 2012

Sleepy-Time Music for Sleepy-Life People

On the pie chart in my head, snooze-inducing bearded bard Bon Iver is as compelling a listen as swallowing a bottle of Lunesta.  But now that we have to take him seriously after winning the 2012 Grammy for Best New Artist, the obvious questions becomes whether or not his career will mirror that of past New Artist winners?  Out of the professional options below, pick the one he will least likely embark upon:




  1. Will become, like The Swingle Singers, the source of a stupefying Trivial Pursuit question.
  2. Will go blind, like José Feliciano, from congenital glaucoma but get to enjoy image-enhancing sunglasses with untapped coolness factor.
  3. Will give the gift of sperm to a famous lesbian, the same way David Crosby did.
  4. Will be profiled in an underground film by Todd Haynes after dying of chemical imbalances associated with anorexia nervosa.
  5. Like Milli Vanilli, will be revealed to lip-synching at every performance
  6. Like The Beatles, he will become the best-selling artist in history, with estimated sales of over one billion units, influencing countless genres of music the world over.

The correct answer is: g) Bon Iver who?

Wednesday, September 14, 2011

Great dancers are not great because of their technique, they are great because of their passion. (And their inability to realize how foolish they look.)

My pre-concert rituals are exacting and precise. The morning of the show, I greet the Sun God with some naked Iyengar Yoga while drinking Ashwagandha Tea, which combats stress and restores serenity. I dress myself in a pair of flowing Nomad Eco Pants (which I bought to wear at Burning Man five years ago) and a dark blue Onno brand organic bamboo tee. Right before bicycling my way to the concert, I smoke a heapful of Salvia for the spirit/flesh rejuvenation I will be experiencing. As soon as I am at the concert, I respond to the music with Ecstatic Dance and Spiritual Movement , letting my Chakra spell out the rhythms and lead me to an enlightened level of no return. After 9 hours of this, I usually forget where I parked my bike and I end up hitching home with one of my shoes missing.

Thursday, September 08, 2011

Darling Indie Band Dies of Quirk Poisoning

By Disco:Very
Published: September 8, 2011

The Portland, Oregon indie band Jared Mees and The Grown Children have been found dead, local authorities say, due to poisoning from repeated doses of quirkiness.

Their compositions often consisted of mostly wacky, non-rock instruments (trumpet, plastic egg maracas, a girl percussionist who also sings backup while using hand signals to act out the lyrics, a band member's dog howling in unison on one of the songs, etc) as well as unending amounts of wordless ba-da-ba-da-ba-da choruses.

The quirk factor which so rapidly took their lives first infected them when the band's whimsical name was invented, and the killer cuteness only increased exponentially when the title of their debut CD Only Good Thoughts Can Stay, was christened. This quaint the-sun-will-come-out-tomorrow CD title was the first indication that the deadly quirkiness was spreading much faster than initially thought.

Their condition worsened with each charming live show and music video involving daffy hats and vintage eyewear. Friends and family of Jared Mees and The Grown Children knew it would only be a matter of time before the band was crushed under the weight of its own cleverness.

The final nail in the coffin was their decision (sadly all-too-common from most of today's indie outfits) to create a trailer for their latest album.

Because the band has influenced nobody nor made any lasting impact on today's popular culture, music lovers around the world, upon hearing the news of the band's demise, reportedly gave a collective shrug.

They are survived by Wes Anderson and Paste Magazine.

Wednesday, August 24, 2011

Disco:Very Reviews an Amos Lee Concert in Limerick Form

There once was a Lee named Amos
His faux-folk schtick made him famous
His concert in our town
Made us all scowl and frown
His songs are shit--can you blame us?

Calexico was dullish backing band
Main ingredient: music quite bland
Slow beats and strum-a, strum-a
Makes for show of total bumm-a
Can't this type of stuff be banned?

At times, band numbered thirteen
Including pointless tambourine
Too many musicians
Urges one to petition
To replace them all with machines

Drummer looked like senior citizen
Makes for pathetic depiction
His balding grey head
Made him look almost dead
To play for whole show he needs insulin

Guitarist's dress code elicited "Why???"
Due to skinny jeans and skinnier tie
Looked just like a bloke
Who would play for The Strokes
Or Joe Jackson or Eye to Eye

One song was about "Our Troops"
It made me take mental poops
Flag waving refrain
Brought tears to my brain
Thought: "The level to which this man stoops!"

Audience was mostly white meat
Had trouble clapping to the beat
Lee wants to be Black
But true soul he does lack
His street cred a total conceit

Friday, April 15, 2011

Disco:Very Celebrates Record Store Day [By Being a Nuisance] - Part 1

Store Clerk: [Name of record store], this is [name of store clerk].
Disco:Very: Hi, I understand that tomorrow is Record Store Day.
Store Clerk: Yup.
Disco:Very: Well, I'm calling to find out more info on a particular release.
Store Clerk: OK.
Disco:Very: It's a limited-edition vinyl LP by Animal Collective, and I just read about it online and I'm hoping to see if you'll be getting a copy of it in for Record Store Day.
Store Clerk: OK, what's the name of the record?
Disco:Very: Well, the problem is, I don't know the name. From what I read online, Animal Collective really wanted to recreate the feeling of an Animal Collective performance as best they could, so they are releasing this limited-edition vinyl album and the record itself will be made to look similar to an Animal Collective performance. So the vinyl will be completely covered in glitter and day-glo body paint and feathers and spandex--
Store Clerk: [Laughing] Wait, what??
Disco:Very: --and my question is, I want to buy this album really bad because I am so all about Animal Collective, but how would I able to play this album if it's covered in glitter and day-glo body paint and spandex?
Store Clerk: [Long pause.]
Disco:Very: Also, the album will trumpet its stylistic excess as a sign of creativity, and make that the purpose of the music, rather than the other way around.
Store Clerk: [Says nothing.]
Disco:Very: Are you still there?
Store Clerk: [No answer.]
Disco:Very: Hello?
Store Clerk: [Hangs up.]

Friday, June 18, 2010

Disco:Very Does Dallas. No, Wait: San Francisco [Part 1]

Terrible Songs Heard While Shopping at the 9th Street Trader Joe's in San Francisco and the Type of Customers & Employees Who Respond To Each Song:

Song: Island Girl by Elton John
Reactions: Young bearded employee in ball-crushing tight jeans dances in snack aisle, bobs head side-to-side while singing along; Yoga-addicted Earth Mama sings along while reading ingredients on organic trail mix bag, exhibits no ethical or ironic qualms while singing the words "Tell me what you wanting with the white man's world".

Song: You Are the Woman by Firefall
Reactions: Middle-aged female customer in layers of Tibeten shawls sings along as if romantically involved with the protagonist of the song; elderly-yet-hip employee gawks as she skips past him in the dairy aisle.

Song: Dance With Me by Orleans
Reactions: Disco:Very, while purchasing Tamari-roasted almonds, shoots self in the head.

Thursday, May 27, 2010

A-R-I-Z-O-N-A Is My State, Arizona Let Me Say I Think You're Great!

Now that Arizona has successfully banned Hispanics from rudely assuming they, too, can breathe the White Man's oxygen, I--a proud native Arizonan--now feel safer to enjoy patronizing our abundance of Mexican food restaurants without having to actually be around all those Mexicans. And on that same topic, a stern word of caution to underground lofi-funksters Javelin should they ignore the worldwide band boycott and choose to perform in The Grand Canyon State: I recommend only playing songs from your David Byrne-approved new album instead of certain tracks off your underground demos (since they contain what is almost certainly traces of what we Gringos call Spanish). As for the rest of you, stop stating our State government is at least as dumb as Georgia's. When it comes to The Championship of Passing Senseless Bills, everyone knows Arizona has them beat at this particular parlor game.

Wednesday, May 05, 2010

Elliott Smith Fans Declare Jihad Against Fans of Pink Floyd. I Smell a Sitcom!

A fading street mural which happened to be randomly photographed for the cover of mopey suicide-y singer/songwriter Elliott Smith's hilariously overrated 2000 album Figure 8 was "tagged" earlier this week by low-wage lackees hired by 84-year-old Pink Floyd kingpin Roger Waters to virally promote yet another tour of the flogged-dead-horse mainstay The Wall.

The viral marketing utilized by Waters and his publicists involves high-profile/big-budget underground guerilla-styled postings promoting the upcoming tour through the use of crudely prited stickers, scripted in an excessively ornate, barely decipherable typeface.

Although the marketing campaign is being seen throughout the greater Los Angeles area, when it left its mark on the hallowed ground that is this anonymous mural on Sunset Boulevard, fans of Smith's work were outraged. "Elliott Smith literally painted this mural literally with his own blood!", screamed Smith follower Glewanda Furklemier. "You can see his tortured soul in each random curve and swirl. Why doesn't Barack Obama do something about this instead of wasting time on that silly oil spill?"

When it was pointed out to Ms. Furklemier that Mr. Smith did not, in fact, actually paint the mural, and that, instead, the photographer hired by his record company merely posed Smith against already-existing street art, Ms. Furklemier replied, "It doesn't matter who painted it. Pink Floyd is going to pay for this, mark my words. There will be a bloodbath of epic proportions, and we will choke the rivers with their dead!"

Ironically, the success of both Pink Floyd and Elliott Smith have relied almost exclusively on compositions involving depressed whining about emotional isolation, but this irony has been lost amid the uproar.

Asked to comment by phone, Roger Water's response--given while counting huge wads of cash--was, "Elliott who?"

Wednesday, February 24, 2010

The Joanna Newsom Drinking Game

The newest masterpiece by Joanna Newsom is about to hit stores. As you bask in its unicorn-ey goodness, have some fun and take a drink whenever she uses the following bullshit-meter-breaking words or phrases:

Svetlana

A seagull weeps

Sage

I'm oozing surprise

Yoke

Chim-Choo-Ree

Ursala

Two-by-two (re-loo-re-loo)

Inflammatory writ

Seahorse

Oh, oh, oh, oh, oh, oh

Gasplessly

I am big-boned and fey

Dragons

Exhume your pinecone

Tuesday, January 19, 2010

Disco:Very Translates a Very Bad (Overly Long) Press Release for Harper Simon

"Give a listen to Harper Simon’s shining solo debut and you’ll soon recognize that he is much more than just a shooting star."

[Translation: Harper's father is Paul Simon.]

"Harper Simon is the work of an exceptionally gifted singer-songwriter and guitarist who’s clearly discovered who he is and found his own way and as a recording artist in a time when the very concept of recording an album seems threatened."

[Translation: By focusing on the supposed demise of the album as an art form, which is a complaint one tends to hear from past-it no-longer-charting folk/pop singer-songwriters of the 1960's, it allows us the opportunity to subversively remind you that Harper's father is Paul Simon.]

“The long playing album is the great artistic medium invented in the second half of the 20th century,” says Simon. “The long playing album is not just ten songs thrown together randomly. It has an arc. It has a structure. It is the attempt to make ten songs that are all as good as each other, and fit together in a seamless whole. Long playing albums like Sgt Peppers, Bridge Over Troubled Water, Pet Sounds, Blonde On Blonde, Sticky Fingers -- these albums have helped define our culture. When I was making this record, I was very conscious of making a record that was an homage to the LP.”

[Translation: Why did we casually allude to "Bridge Over Troubled Water"? No reason. No reason at all.]

"Simon recorded his new album in Nashville, New York and Los Angeles with the help of an altogether impressive and decidedly eclectic and multi-generational group of musical collaborators, including famed producer Bob Johnston, an all-star group of veteran first-call Nashville session players, an impressive group of contemporary young singer-songwriters and friends, and yes, even Harper’s own father, the legendary Paul Simon."

[Translation: Have we mentioned that Harper's father is Paul Simon?]

"Making [this album] ended up being a journey in its own right. Simon started the long and searching recording process for Harper Simon in Nashville, cutting basic tracks with Johnston – who was behind the board for classic recordings from Bob Dylan, Johnny Cash and Leonard Cohen – backed by a Who’s Who of enduring session greats familiar from countless classics of the Sixties and Seventies...“I was also very honored and thrilled and moved beyond words to be able to work with some of the people whose work was featured on some of the best albums of all time,” explains Simon. “People who I had been listening to my whole life and whose names I knew only from liner notes and production credits. In search of a sound that satisfied him, Harper...gradually brought in other great players associated with other eras, including a whole new generation of wildly talented musical friends into the mix including Inara George, Petra Haden and Sean Lennon, ultimately mixing the results with Tom Rothrock, know for his work with artists like Beck and Elliot Smith, who all helped bring the shock of the new..."

[Translation: Nepotism fucking rules.]

“The people that came together to contribute to this album are a totally bizarre and wonderful collection of people that will never come together again,” Harper explains. “There are players that represent every era of Rock n Roll from the 50s, 60's, 70's... every decade up until now really. People like Bob Johnston and my Dad and the Nashville A Team, these people started making records in the 50's. Then they made some of the most groundbreaking records of the 60's. There are folks like Steve Gadd and Steve Nieve who played on great records in the seventies... Marc Ribot in the 80's... And many others from today like Inara George, Eleni Mandell, Sean Lennon and Adam Green to name just a few. I always wanted to blend these great session players from the 60's with my friends and contemporaries... that was always part of the concept. I think I may have gotten carried away, but it sure was fun.”

[Translation: Unlike Daddy's brief Graceland-era stint collaborating with Los Lobos, he actually let me keep the authorship of songs I wrote by myself.]

"In the end, it’s clear that there is real blood on these tracks, to borrow a phrase from another iconic songwriter who’s not Simon’s father, and let there be no doubt that blood is Harper Simon’s."

[Translation: We have no shame.]

"Finally, this is an album that reflects powerfully the long road to get to the point where Simon was ready to stake his musical claim...And so he has taken the time and care to make an album built to last. And this is only really the beginning."

[Translation: Although you'll be tempted to compare Harper's music to that of his father's, we can assure you that the only trait these two share are their receding hairlines.]

Monday, January 04, 2010

An Obvious Set-Up, Followed By Laughter You Will Be Powerless to Stop. Plus, Bono is a Putz.

For once, I am in complete agreement with Bono. All anyone need do is look at the way China has successfully curbed its citizens from enjoying freedom of information. If torturing is good enough for Americans to inflict on suspected Al Queda operatives, why not do the same for those who provide free music to the general public? I am so committed to this very notion that I have attached a taser machine to my testicles in a show of support. This expensive contraption is designed to activate any time I should dare to share music files with my adoring public.

On a lighter note, I've just discovered a new band named UV Race whose music has been non-stop on my headphones. Here are a few of my favorite tracks:

Gore Orphanage

[OH MY GOD!!! MY GONADS!! MY PRECIOUS DELICATE GONADS!!!]

All the Things I Do

[DEAR GOD, MAKE IT STOP!!! MAKE THE PAIN STOP!!!]

The UV Know

[HELP ME, BONO!! HELP ME WITH THE PAIN!!! MY BALLS ARE ON FIRE!!! CAN'T YOU WRITE A SONG OR A FUCKING OPERA ABOUT THE PAIN AND MAKE IT GO AWAY???]

Meet Me Under the Clocks

[AAAAAAUUUUUUUGGGGGGGGHHHHHHHH!!!! I'LL NEVER BE ABLE TO SHARE QUALITY TIME WITH MY TESTICLES AGAIN!!!]