
When it rains, it pours. Let's all bow our heads in silent memory of Buck Owens and Nikki Sudden, both of whom died over the weekend. If you're clueless enough to only know of Owens as the co-star of Hee Haw, I hate your guts. Listen to








It's bad enough I've been blatantly shirking my posting duties, now you won't see any n-line musings for the next six days while my glamorous job flys me to the SXSW Film Festival, held in good old Austin, TX, whose automobile population holds the largest concentration of anti-Bush bumper stickers I've ever seen in one place. If you happen to be attending, you'll almost certainly find me most of the time at booth I-13 of the film festival trade show, so do drop by and pretend you're interested in what I'm selling. Or just hang around Waterloo Records and look for the guy running through the racks muttering album titles to himself in a crazed effort to fill in those missing gaps in his CD collection. You'll also be able to spot me at Magnolia Cafe, attempting to consume those gigantic gingerbread-banana pancakes in one bite.
My assumption has always been that Fraidy Cat and Little Hitler--the two stray felines that showed up on my doorstop recently--were brother and sister, mostly by their markings and their inseparable nature. So imagine my surprise when I found Fraidy Cat digging into his in-heat sibling last night like a
The female of the two feral neighborhood cats that I reluctantly adopted 4 months ago (lovingly christened Fraidy Cat and Little Hitler) has gone into heat. She spends all day and night arching her back and exposing her genitals, which makes all the balls of the nearby male cats quiver and groan, bringing forth presumptuous purring and howling noises from all interested parties. This song,
Can anyone tell me what the hell ever happened to Q-Tip? His fantastic debut solo album (Amplified) was released in 1999, so what's been taking his time up since then? You can't tell me he's still working on films such as The Visiting. And why does his record label continue to list the still-not-released follow-up Kamaal The Abstract on their website? Is this thing ever going to come out? Until these mysteries are solved, I'm going to curl up into a dark corner and play 
Let's get one thing perfectly clear: I do not like the taste of hot grits. I do, however, like the song
Back in the '80's, I used to loathe all those goths who dressed in nothing but black, listened to nothing but death-synth and inhaled clove cigarettes. Everytime I saw one on the street, I wanted to punch their lights out. But now? I find them cute and cuddly. You might even say, like my man Steven Spielberg says, I'd like to lay some liquid love on them. The always-reliable crate-digging of Post Punk Junk has uncovered a warm-'n'-chewy mope fest on-line and he's postin' it like there's no tomorrow--because to a lot of those goth kids, there isn't. To quote the Spielberg-ster once more, I hope you're putting all that liquid love into a bottle. Put that bottle somewhere where your kids can't get at it. And every once in a while, take the cork off and smell how sweet it was.
What can you say about an electro-schlock duo from Sweden who call themselves The Bondage Fairies? A band who writes about consuming a platter of penis (
The main hook for most lovers of World Standard seems to be the puzzling satisfaction upon hearing a Japanese artist (Harumoni Hosono, co-founder of 80's synth stylists Yello Magic Orchestra) attempting to replicate the sound of early American folk idioms. To these ears, all the satisfaction lies in how beautifully they capture the feeling of a soundtrack to a movie not yet made. Considering the enduring popularity of the bands to whom they are often compared--Tom Waits, John Fahey, Holy Modal Rounders, Calexico--you'd think tracks such as
Newborn blog, freshly ripped screaming from the placenta, begins massive postings offering download after download of hokey Halloween vinyl (and the occasional Pink Panther Punk), while the rest of the blogging globe shakes its head in wonder and asks, "When does he get some shut eye?" The obvious answer is: Zombies never sleep...
There are three main components which go into creating the perfect pop song, and
There's no denying it: I'm an easy sell for a Mash-Up that has me cackling like a school girl. Especially if it uses Television's boho pre-punk masterpiece Marquee Moon. But especially if placed alongside the Khia grind and bump hit My Neck, My Back. The unstoppable superstar DJ Certified Bananas has merged the two into
Here is what I did in my 20's: played with a lot of mostly shitty local bands, few of which are worth talking about. Here is what Cast King did in his 20's: he recorded for Sam Phillips of Sun Records. Here is what I expect to do when I'm 79 years old: die. Here is what Cast King did when he turned 79 years old: he released his debut album, Saw Mill Man. This short but potent CD contains a mere 12 songs--
You decide to vacation in Thailand, and for some distant reason, you decide to start fights with everyone you meet. This was a mistake on your part and your broken nose and fractured ribs are the proof. This is a country that produces boxing anthems punctuated by the sounds of your opponent elbowing you to death (
The kids in the street are chanting their demands, and they want Prog. If Prog was a meat, the kids would be blood-thirsty, ravenous wolves ripping and snarling their way through a freshly-killed meal. To stretch this metaphor further, Delay 68 Records (which has just released Prog Is Not A Four Letter Word, a nifty comp of international math rockers) is the lone zoo-keeper poking raw flesh on sticks through the feed door of each cage. Although the album's definition of Prog is rather loose (
Now that concept albums are once again in vogue (thanks to you, Billy, Bixler and Stevie), the time is right for the grand reissue of two wonderfully bombastic out-of-print collector's holy grails that are a kind of Thick As A Brick for the post-Weezer set: L'Enfant Assassin Des Mouches by the French composer (and arranger for Serge Gainsbourg) Jean-Claude Vannier and Le Monde Fabuleux Des Yamasuki, by the French/Japanese micro-orchestra Yamasuki. Both albums are reissued by the crate-digging maniacs at Finders Keepers Records, and both will make your hair stand on end. If you are losing your hair, they'll make it grow back.
Unlike the rest of you, I have a glamorous, high-profile job of note. You heard me: I HAVE A GLAMOROUS HIGH-PROFILE JOB OF NOTE! As such, pressing and important life-changing projects can pop into my "In Basket" at a moment's notice, and these exhausting yet necessary intrusions can throw my blogging schedule into utter turmoil. Why have I not been updating with any regularity? My glamorous, high-profile job is the very reason I have not been updating with any regularity. If there is one thing Mariah Carey and I have in common, it is that we both have to sweep away some of the glitter which rains down on us and our far-reaching careers on an almost hourly basis. While I'm busy cleaning up, I give you this link to some crazy-ass French dude named Chocoreve who is offering downloadable files (password: posted_first_at_chocoreve) to almost 100 different psychedelic rock, garage rock and Krautrock album masterpieces (such as Blues Scene, shown above). Sadly, they are all RapidShare files, but seeing how you little people--living in poverty and squaler--are used to daily disappointment, I'm sure you'll get over it. Eventually. [Update: Chocoreve seems to have died, leaving his website in permanent limbo.]
Since it will probably be another year until we see a follow-up to Illinois, and probably two more years until he tackles the next American state, bloggers seem to be placating themselves with live recordings to wait out the delay for the next sprawling set from Sufjan Stevens. It is unto this fray in which I heartily jump: here is Mr. Stevens and his squad running their paces at Lee's Palace in Toronto, on November 16th, 2004. You can download it
Comics: When I read cat comic Garfield, life seems chaotic and unstable. Now, with the creation of the Random Garfield Generator, all is right with the universe.
Don't even begin to tell me Neo-New Wave is on a rapid decline due to the slowly-rising popularity of Neo-Prog. I am so still into The Plastics from way back in the day, that my Neo-Post-Neo-New-Wave revivalism is half a decade ahead of itself. In other words, much like the hick trucker I spotted back in 1988 whose 1969-era muttonchop sideburns predated their full-on faddish return in 1993, my unwavering love affair with
Pete Townsend of Mod rock combo The Who has lived long enough (and rocked long enough) to proudly earn the title, Elder Statesman of The Rock Aristocracy. Personally, I've always fondly thought of him as The Doddering Pain-In-The-Ass Grandfather-Figure Who Dominates The Topic Of Conversation at Family Reunions By Cornering His Relatives With Stern Lectures On How We're Ruining Our Lives And How We Should Heed His Advice Or Else We'll End Up Like Him. Give Grandpa a polite and reverent pat on the head, you children of rock and roll, set aside that noisy Slayer cd and replace it with Apollo: Atmospheres & Soundtracks by ambient wunderkind Brian Eno, jumping ahead to track 5 (
Personally, I don't see what the big deal is. If state-sponsored censorship means an end to tepid classic rock and easy listening hits, fetch my passport, dawg, 'cuz I'm moving my cribs to Iran! Clearly, the head honcho of America's next refinery takeover is merely trying to ban his fellow citizens from listening to bad music. He isn't abolishing, say, 
No matter where I am any time of the year, complete strangers constantly come up to me on the street and shreik, "Hey Peecat, what are your thoughts on holiday music?" By and large, I hate all of it, especially the traditional stuff, but especially the stuff by contemporary artists trying to write a new holiday classic, like when Brian Setzer (inbetween fetishistically jerking-off with his guitars), reconfigures a by-the-numbers rockabilly tune, replacing the word "baby" with "Santa". Or when he performs a trad-dad number and peppers it with pseudo Swingers lounge-speak. I'm here to tell you there are only three Xmas records worth owning: the soundtrack to A Charlie Brown Christmas, the astonishingly-great A Christmas Gift for You from Phil Spector and Christmas Album by Herb Alpert & the Tijuana Brass. And in the case of the latter, the only track I ever play from it is
Everyone knows that for surefire laughs, replacing "fucking" for the middle name of someone you hate is instant hilarity. George Fucking Bush, Donald Fucking Rumsfeld, Pope Fucking Nazi-Youth Jew-Hater Whatever His Name Is, etc. This helps explain why we should all hate Sting, Moby, Madonna, Cher and Beck: their one-name moniker prevents us from doing this (plus Beck if a fucking Scientologist, so we should hate him regardless of what name he goes by). And speaking of lousy religions, on this most holiest of holy days--the birth of Jesus Fucking Christ--it seems appropriate to post a track or two by The Knights Of The New Crusade, who hope to wash away your indie-rock sins with the beer-swilling, whoop-hollering guitar-punch attitude of garage punk.
Yes, yes, it's all very special that Killing Joke influenced everyone from Nine Inch Nails to Nirvana by grafting incisive agresso-punk sloganeering onto high-energy tribal rhythms and liberating the indie rock legion towards a new world of movement and sound, bla bla bla. Who cares? I JUST WANT TO HEAR THOSE FUCKING DRUMS!
Yes, yes, it's all very special that Lesbians On Ecstasy are recontextualizing folkie feminist anthems by KD Lang, Melissa Etheridge and the Indigo Girls, grafting them onto hi-NRG dance rhythms and liberating our Saphhic Sisters into an empowering Womyn's womb of movement and sound, bla bla bla. Who cares? I JUST WANT TO HEAR THOSE FUCKING GUITARS!
The provacative sex-kitten schtick of Bow Wow Wow never much moved me. I altogether ignored the fad of
As a wise old friend once put it, Mick Collins of The Dirtbombs is a national treasure. I begin with this statement because, this morning, I turned the TV on for some noise to jump-start me towards arriving to work on time (which didn't happen--I was 30 minutes late!) and who should be on The Today Show but Billy Fucking Joel. The image of him plinking through his usual cutie-pie Everyman routine, coupled with what I can only describe as that sound has forced me to cleanse my palette with something containing a little bit of fuck you-ness: hence,
Just when you think a DJ couldn't possibly further the art of slicing and dicing a James Brown sample these days, along comes
Depression is a rarity for me (my life is pretty flippin' great). Probably a handful of sad movies (Nobody Knows, Tokyo Story, A Thousand Clouds Of Peace, Faces, You Can Count On Me, Before Night Falls, The Day I Became A Woman) and sad songs are the two motivators that get my eyes all misty-like. Some of the saddest songs ever written are by the no-longer-with-us Red Red Meat. How sad was this band, you might ask? So much so that they even sounded sad when they covered someone else's song (in this case, Polara's
I'm all about breaking the law: J-walking, using the office photocopier for personal purposes, going 45 in a 35-speed-limit zone, and posting tracks found at NPR: grab this recording of The Magnetic Fields performing
Did anyone else see Patti Smith on Conan O'Brian last night? She and her band (shown above, minus Flea) performed an oddly slowed-down 
Damn you, Aquarius Records--you've gone and got me hooked on Black Metal. It's bad enough I find myself listening to the total-joke-band-even-if-they-claim-they-aren't-a-total-joke-band joke band Goblin Cock (