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The main hook for most lovers of
World Standard seems to be the puzzling satisfaction upon hearing a Japanese artist (
Harumoni Hosono, co-founder of 80's synth stylists
Yello Magic Orchestra) attempting to replicate the sound of early American folk idioms. To these ears, all the satisfaction lies in how beautifully they capture the feeling of a soundtrack to a movie not yet made. Considering the enduring popularity of the bands to whom they are often compared--
Tom Waits,
John Fahey,
Holy Modal Rounders,
Calexico--you'd think tracks such as
Crazy Crazy Crazy,
South American Folk Song,
Columbia,
To A Wild Rose and
Coomyah (all taken from
Jump For Joy-Discover America Series Vol. 3) would be, well, world standards. While this long-running project has many albums out, most of them are only available in Japan--what little I've been able to track down was found at
Forced Exposure.
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