Disco:Very Translates His Own Press Release Touting Free Give Away of Remastered Release of Disco:Very 2001

On May 24th, 2012, world-renowned music blog Disco:Very will reissue the acclaimed Disco:Very 2001 year-end compilation, which was originally given away to a small number of friends and family in December 2001.

[In this case, "world-renowed" means weird sections of the American midwest and two readers in Ireland, and "acclaimed" means "some people actually kept their CD's for a year before tossing them in the garbage".


"There is not a week that goes by without some fan of my current CD's asking if I will ever reissue the earlier comps", said Disco:Very CEO, Disco:Very. "The time felt right to remind the public why we are at the forefront of custom-made CD compilations given out free-of-charge on an annual basis." 

[How very edgy: still working in a media format less popular than the wax cylinder.]


As it has done for the past 12 years, blog readers are instructed to send their name and address to Disco:Very's e-mail address whereupon a CD will be immediately mailed to the requester.  Because Disco:Very respects its readers privacy, fake names are allowed in each request as long as the address is real.

[The validity of claims to privacy cannot be verified, so keep your soiled underwear locked up just to be sure.]


Longtime readers of Disco:Very and newbies alike will find much to like in this nostalgic trip from 2001, including artists familiar (The Magnetic Fields, Jurassic 5, Sigur Ros) and some off the beaten path (Zero Zero, Marvin Pontiac, Zoot Woman.)

[Anyone in the internet age who still can't stumble upon the music of Radiohead on their own must be some kind of specialized idiot. ]


The audio and cover art has been redesigned and remastered from top to bottom, so even if you already own an original Disco:Very 2001 CD, you should consider adding this newer edition to your collection for its crisp remastering and bold minimalist graphics.

[The original artwork from 2001 was so hideous, it was best to throw it all away and stick to the design of the last few years just to play it safe.]


Disco:Very is a music blog publishing since 2005 where it made a name for itself as an incisive, inflammatory blog of opinion, reviews and music links.

[In other words, just like every other music blog clogging cyberspace, but the author of this one doesn't know the meaning of the words "Give it up, already".]

My head is hung in submissive shame as I announce that Disco:Very has now joined the reprehensible Twitter.  Same pithy postings, but now with 80% less content.  Postings will continue apace here at the mothership, but now you can get snarky Tweets for those times when I'm too lazy to link actual music.  Look, if you want this relationship to work, you're going to have to support me on this.  Divorce is not an option.

Disco:Very Translates a Very Bad (Overly Long) Press Release for Harper Simon

"Give a listen to Harper Simon’s shining solo debut and you’ll soon recognize that he is much more than just a shooting star."

[Translation: Harper's father is Paul Simon.]

"Harper Simon is the work of an exceptionally gifted singer-songwriter and guitarist who’s clearly discovered who he is and found his own way and as a recording artist in a time when the very concept of recording an album seems threatened."

[Translation: By focusing on the supposed demise of the album as an art form, which is a complaint one tends to hear from past-it no-longer-charting folk/pop singer-songwriters of the 1960's, it allows us the opportunity to subversively remind you that Harper's father is Paul Simon.]

“The long playing album is the great artistic medium invented in the second half of the 20th century,” says Simon. “The long playing album is not just ten songs thrown together randomly. It has an arc. It has a structure. It is the attempt to make ten songs that are all as good as each other, and fit together in a seamless whole. Long playing albums like Sgt Peppers, Bridge Over Troubled Water, Pet Sounds, Blonde On Blonde, Sticky Fingers -- these albums have helped define our culture. When I was making this record, I was very conscious of making a record that was an homage to the LP.”

[Translation: Why did we casually allude to "Bridge Over Troubled Water"? No reason. No reason at all.]

"Simon recorded his new album in Nashville, New York and Los Angeles with the help of an altogether impressive and decidedly eclectic and multi-generational group of musical collaborators, including famed producer Bob Johnston, an all-star group of veteran first-call Nashville session players, an impressive group of contemporary young singer-songwriters and friends, and yes, even Harper’s own father, the legendary Paul Simon."

[Translation: Have we mentioned that Harper's father is Paul Simon?]

"Making [this album] ended up being a journey in its own right. Simon started the long and searching recording process for Harper Simon in Nashville, cutting basic tracks with Johnston – who was behind the board for classic recordings from Bob Dylan, Johnny Cash and Leonard Cohen – backed by a Who’s Who of enduring session greats familiar from countless classics of the Sixties and Seventies...“I was also very honored and thrilled and moved beyond words to be able to work with some of the people whose work was featured on some of the best albums of all time,” explains Simon. “People who I had been listening to my whole life and whose names I knew only from liner notes and production credits. In search of a sound that satisfied him, Harper...gradually brought in other great players associated with other eras, including a whole new generation of wildly talented musical friends into the mix including Inara George, Petra Haden and Sean Lennon, ultimately mixing the results with Tom Rothrock, know for his work with artists like Beck and Elliot Smith, who all helped bring the shock of the new..."

[Translation: Nepotism fucking rules.]

“The people that came together to contribute to this album are a totally bizarre and wonderful collection of people that will never come together again,” Harper explains. “There are players that represent every era of Rock n Roll from the 50s, 60's, 70's... every decade up until now really. People like Bob Johnston and my Dad and the Nashville A Team, these people started making records in the 50's. Then they made some of the most groundbreaking records of the 60's. There are folks like Steve Gadd and Steve Nieve who played on great records in the seventies... Marc Ribot in the 80's... And many others from today like Inara George, Eleni Mandell, Sean Lennon and Adam Green to name just a few. I always wanted to blend these great session players from the 60's with my friends and contemporaries... that was always part of the concept. I think I may have gotten carried away, but it sure was fun.”

[Translation: Unlike Daddy's brief Graceland-era stint collaborating with Los Lobos, he actually let me keep the authorship of songs I wrote by myself.]

"In the end, it’s clear that there is real blood on these tracks, to borrow a phrase from another iconic songwriter who’s not Simon’s father, and let there be no doubt that blood is Harper Simon’s."

[Translation: We have no shame.]

"Finally, this is an album that reflects powerfully the long road to get to the point where Simon was ready to stake his musical claim...And so he has taken the time and care to make an album built to last. And this is only really the beginning."

[Translation: Although you'll be tempted to compare Harper's music to that of his father's, we can assure you that the only trait these two share are their receding hairlines.]

Disco:Very Translates a Bad Press Release for Brightblack Morning Light

"Haunting, beautiful, and weird in equal doses..."
[Translation: They were too stoned to actually tune their guitars.]

"...Brightblack Morning Light's second album for Matador was recorded entirely under solar power in a remote adobe cabin in the New Mexican mesa..."
[Translation: They didn't have the money to pay their electric bill.]

"...Deeper and heftier than their much loved 2006 self-titled LP..."
[Translation: They discovered their rhyming dictionary has more pages than they initially thought.]

"...this record recalls musicians as diverse as Lee Perry, Bob Dylan, My Bloody Valentine, Neil Young, and Otis Redding..."
[Translation: They plagiarize from a wide variety of dead or near-dead artists for legal reasons.]

"...with sounds ranging from folk to gospel to experimental electronics..."
[Translation: Everything sounds the same to them after they ingest enough peyote.]

"...This impassioned ode to the natural world and traditional lifestyles is as political as it is personal..."
[Translation: They don't believe in taking showers.]

"...Nathan Shineywater and Rachael Hughes make their music for everyone..."
[Translation: Especially if they're White.]

"...but they have a special love for wild and sun drenched places..."
[Translation: They didn't have the money to pay their electric bill.]

"...far from the commercial distractions of the city and the crowds."
[Translation: Their parents cut off their Trust Funds.]