Which is worse: hearing the original version of "
In A Big Country" performed by
Big Country, or the yuppie FM-lite version on that icky-twee
Kohl's commercial? Would you rather endure the faux-50's stylings in
Grease or
this sickening embroidery pattern? When I'm in the mood to hear moody opera pop, I pick
Sigur Ros, except when they dawdle between albums, in which case I head towards the upstart quasi-
Sigur Ros-esque-ness of
Faunts, who creates, well, high expecations with
High Expectations (on their debut CD
High Expectations/Low Results). Sure,
Gone With The Day sounds a bit too too
too, but if there aren't any Icelandic post-rock albums appearing on the (tundra) horizon, what else am I supposed to do--sit around and pout? It's not like I can embroider one of my own.
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